Барокко-рококо. Есть спецы в искусствоведении?

[10-4]

Как бы с вашей помощью улучшить мой перевод НА АНГЛЙСКИЙ. Все предложения принимаются с благодарностью.

В статье рассматривается творческая биография Johannes Paul Schor (1615–1674), прозванного в Италии Giovanni Paolo Tedesco. Уроженец австрийского Инсбрука, он стал самым известным и высокооплачиваемым художником-иностранцем Рима в XVII веке. Он работал как архитектор и живописец, но наибольшую известность приобрел в области проектирования предметов декоративно-прикладного назначения, исполненных в самых разнообразных материалах и техниках, и составлявших необходимую часть светских и церковных церемоний Рима второй половины века. В составе больших художественных коллективов, руководимых им лично или крупнейшими мастерами seicento (Pietro da Cortona, Gianlorenzo Bernini, Carlo Rainaldi), он участвовал в таких знаменитых проектах эпохи барокко, как Зал Папы Александра VII в Quirinal Palace, Cathedra Petri, главный алтарь церкви Santa Maria in Campitelli, убранство галереи палаццо Колонна, парадная постель Марии Манчини и др. Особенности его художественного языка предвещали рождение нового, ранее нехарактерного для Рима стиля, получившего распространение в следующем столетии — рококо.

The article shows development of Johannes Paul Schor (1615–1674), known in Italy as Giovanni Paolo Tedesco. A native of Austrian Innsbruck, he became the most famous and high-paid foreign artist in Rome of the late 17th century. He worked as an architect and painter, but became really glorious as a designer of handicraft objects made in multitude of materials and techniques for secular and religious events of the Roman life of the second part of the century. As a leader of large artistic teams or working with other famous masters of seicento (Pietro da Cortona, Gianlorenzo Bernini, Carlo Rainaldi), he contributed to well-known projects of baroque epoch, such as the Pope Alexander VII Hall in the Quirinal Palace, Cathedra Petri, main altar of Santa Maria in Campitelli church, decoration of a gallery in Palazzo Colonna, a ceremonial bed of Maria Medici, etc. The peculiarities of his artistic expression became forerunners of a new style uncharacteristic to Rome—rococo, so widely disseminated in the following century.

[Victorian]

По крайней мере, на первый взгляд, хорошо.

[Victorian]

Вот может в предложении: As a leader of large artistic teams or working with other famous masters of seicento (Pietro da Cortona, Gianlorenzo Bernini, Carlo Rainaldi), working поменять на collaborating.
Перед main altar of Santa Maria определенный артикль.

[askandy]

Maria Medici = Мария Манчини?

[Victorian]

Вот еще, кстати, ссылка http://en.wikipedia.org/wiki/Johann_Paul_Schor

[Victorian]

запятая после new style

[10-4]

Сам нашел -- не Medici, but Mancici (?)
А вот "парадная постель" -- это что за кроватка? - STATE BED?

[Victorian]

in A multitude of materials and techniques
decoration of THE gallery in Palazzo Colonna

[Victorian]

Нет нет ..оставьте ceremonial bed.

[askandy]

Marie Mancini

[Victorian]

Может famous на renowned заменить? Как менее "избитое" прилагательное.

[Victorian]

highLY-paid

[Victorian]

THE Baroque Epoch

[10-4]

Thanks to all

[10-4]

Переработанный вариант. Осталось неясным как пишутся названия палаццо - с артиклем или без.

The article shows development of Johann Paul Schor (1615–1674), known in Italy as Giovanni Paolo Tedesco. A native of Austrian Innsbruck, Schor became the preeminent and most highly paid foreign artist in Rome of the late 17th century. He worked as an architect and painter, but became really glorious as a designer of decorative arts, which played important part in secular and religious Roman events in the second part of the century. As a leader of large artistic teams, or collaborating with other famous masters of seicento (Pietro da Cortona, Gianlorenzo Bernini, Carlo Rainaldi), Schor contributed to well-known projects of the Baroque epoch, such as the Pope Alexander VII Hall in the Palazzo del Quirinale, Cathedra Petri, the main altar of Santa Maria in Campitelli, decoration of a gallery in the Palazzo Colonna, a state bed of Maria Mancini, etc. The peculiarities of his artistic expression became foreshadows of a style that was not yet characteristic to Roman arts—the rococo, so widely disseminated in the later century.

[Aly19]

ceremonial bed все-таки выглядело лучше, ИМХО

[MilaM]

most highly paid - highest paid?

[MilaM]

the highest paid

[10-4]

Ceremonial bed vs. state bed

State bed
The state bed, intended for receiving important visitors and producing heirs before a select public, but not intended for sleeping in,[2] evolved during the second half of the seventeenth century, developing the medieval tradition of receiving visitors in the bedroom, which had become the last and most private room of the standard suite of rooms in a Baroque apartment. Louis XIV developed the rituals of receptions in his state bedchamber, the petit levée to which only a handful of his court élite might expect to be invited. The other monarchs of Europe soon imitated his practice; even his staunchest enemy, William III of England had his "grooms of the bedchamber", a signal honour.

The state bed (illustration, right), a lit à la Duchesse—its canopy supported without visible posts— was delivered for the use of Queen Marie Leszczinska at Versailles, as the centrepiece of a new decor realized for the Queen in 1730–35.[3] Its tester is quickly recognizable as a baldachin, serving its time-honoured function; the bedding might easily be replaced by a gilded throne. The queens of France spent a great deal of time in their chambre, where they received the ladies of the court at the morning levée and granted private audiences. By the time Marie Antoinette escaped the mob from this bedroom, such state beds, with the elaborate etiquette they embodied, were already falling out of use. A state bed with a domed tester designed in 1775-76 by Robert Adam for Lady Child at Osterley Park[4] and another domed state bed, delivered by Thomas Chippendale for Sir Edwin Lascelles at Harewood House, Yorkshire in 1773 [5] are two of the last English state beds intended for a main floor State Bedroom in a non-royal residence.

[Victorian]

highest paid тоже правильно (с the перед 1-м прилагательным).

[Slava]

Посмотрите, может, поможет:

http://en.wikipedia.org/wiki/Johann_Paul_Schor

[10-4]

Эту ссылочку мы уже использовали. Спасибо.

[Slava]

Точно, ее же выше уже давали.
Сорри за торможение. :-))

[Victorian]

Ceremonial bed
http://www.pbase.com/frank_b/image/104349429
http://www.fourposterbeds-carved.co.uk/renaissance/ceremonial-bed.htm

[10-4]

Может они и так, но в первой ссылке речь про спальню (bed chamber), а во второй про кровать для новобрачных...

[sledopyt]

consider:
The article shows (i would change to describes/depicts/traces/deals with) THE ARTISTIC development of Johann Paul Schor (1615–1674), known in Italy as Giovanni Paolo Tedesco. A native of Austrian Innsbruck (unless there is another Innsbruck, it sounds odd - Innsbruck (Austria)), Schor became the preeminent and most highly paid foreign artist in Rome of the late 17th century. He worked as an architect and A painter, but became really glorious FAMOUS/GAINED HIS FAME as a designer of decorative arts ITEMS, which played AN important part in secular and religious Roman events in the second part of the century. As a leader of large artistic teams, or collaborating with other famous masters of seicento (Pietro da Cortona, Gianlorenzo Bernini, Carlo Rainaldi), Schor contributed to PARTICIPATED/TOOK PART IN SOME well-known NOTABLE projects of the Baroque epoch, such as the Pope Alexander VII Hall in the Palazzo del Quirinale, Cathedra Petri, the main altar of Santa Maria in Campitelli, decoration of a gallery in the Palazzo Colonna, a state bed of Maria Mancini, etc. AND SOME OTHERS. The peculiarities of his artistic expression became foreshadows of FORESHADOWED a style that was not yet characteristic to Roman arts—the rococo (Rococo - Capital, no article OR the Rococo style), so widely disseminated in the later century. --> Rococo- the style so widely spread in the century that followed)

[10-4]

Всем спасибо за предметное обсуждение и варианты.